Forward Press: 20th Century Printmaking
Curated by Susan J. Goldman, Presented by the Printmaking Legacy Project®
Left: Anomalous Traces. 2017. hand-cut pigment inkjet print, 60 x 44 x 72 in. Right: Stereotyped Ordinary. 2017. Hand-cut pigment inkjet print, 60 x 44 x 72 in.
April 6 - August 11, 2019
American University Museum at Katzen Arts Center
4400 Massachusetts Avenue, NW
Washington, DC 20016
Phone: (202) 885-1300
Directions
Printmaking Legacy Project’s® first national print exhibition, Forward Press: 21st Century Printmaking features ten innovative print artists from across the country who employ the finest examples of hand printed and digital techniques. They explore themes of culture, identity, religion, environment, memory, and art history. Some work in traditional forms, like lithography, intaglio, relief, and screen printing, while others explore these methods as the basis for large-scale sculpture, collage, and integrating technology into printmaking. These ten artists are changing the way American printmaking is seen and understood.
FEATURING ARTISTS: April Flanders, Tom Hück, Carrie Lingscheit, Beauvais Lyons, Dennis McNett, Michael Menchaca, Richard Peterson, Nicole Pietrantoni, Steve Prince, and Sangmi Yoo.
PRESS:
Washington Post by Mark Jenkins: "At the AU Museum, these 10 printmakers are tearing up the rulebook"
Washington City Paper Review by Stephanie Rudig: "Forward Press at the American University Museum Explores All Manner of Printmaking"
American University Museum at Katzen Arts Center
4400 Massachusetts Avenue, NW
Washington, DC 20016
Phone: (202) 885-1300
Directions
Printmaking Legacy Project’s® first national print exhibition, Forward Press: 21st Century Printmaking features ten innovative print artists from across the country who employ the finest examples of hand printed and digital techniques. They explore themes of culture, identity, religion, environment, memory, and art history. Some work in traditional forms, like lithography, intaglio, relief, and screen printing, while others explore these methods as the basis for large-scale sculpture, collage, and integrating technology into printmaking. These ten artists are changing the way American printmaking is seen and understood.
FEATURING ARTISTS: April Flanders, Tom Hück, Carrie Lingscheit, Beauvais Lyons, Dennis McNett, Michael Menchaca, Richard Peterson, Nicole Pietrantoni, Steve Prince, and Sangmi Yoo.
PRESS:
Washington Post by Mark Jenkins: "At the AU Museum, these 10 printmakers are tearing up the rulebook"
Washington City Paper Review by Stephanie Rudig: "Forward Press at the American University Museum Explores All Manner of Printmaking"
Secret Garden by Sangmi Yoo & Taryn McMahon
Two Person Exhibition
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March 1 - April 24, 2019
Fort Worth Community Arts Center 1300 Gendy Street Fort Worth, TX 76107 Phone: 817-738-1938 Directions Secret Garden is a two-person exhibition by Sangmi Yoo and Taryn McMahon, to be held in conjunction with “Texchange”–Southern Graphics Council International conference to be held in North Texas in March 6-9, 2019. Secret Garden is a place where synergetic energy is intertwined through a collaboration of the two artists whose practices are based on print media and installation. |
SGC International 2019 Conference Theme Portfolio
The Laser Printmaker: Mapping Overlaps between Printmaking and Laser Systems
Sangmi Yoo. United Colors of Home. 2019. Layerd lasercut screenprints, 14"x18".
March 6-9, 2019
University of Dallas, Painting/Printmaking Building (campus map)
1845 E. Northgate Dr, Irving, TX 75062.
Organizer: Dana Potter, MFA candidate, University of Tennessee Knoxville
Postdigital, emerging technologies, and new media, to name a few, are vague terms used as catch-all funnels for print processes which incorporate laser-cutting, 3D printing, CNC routing, etc. The funnel metaphor, however, stanches fluidity between printmaking techniques and incorporated technologies. A re-imagined structure of these methods may be presented as tree roots with equal stems for laser systems as printmaking’s relationship with paper-making or book-arts. Laser technologies specifically build on similar conceptual questions brought up by printmaking: quality of technique, loss of aura in mechanical reproduction, the look and feel of the hand-made, and issues of physical and time-based labor.
Contributing Artists:
Miguel Aragon, artist
Denise Bookwalter, Director Small Craft Advisory Press, Professor, Florida State University
Noah Breuer, Assistant Professor, Auburn University
Tim Dooley, Professor of Printmaking, University of Northern Iowa
Myles Dunigan, artist
Monica Farrar, artist
Andrea Ferrigno, Assistant Professor of Art, Knox College
Andy Holliday, Visiting Assistant Professor, Auburn University
Joseph Lupo, Professor of Art, West Virginia University
Conor McGran, MFA candidate, University of Tennessee Knoxville
Adrienne Miller, Exhibition and Project Coordinator, Speed Museum
Sarah Pike, Director of FreeFall Laser
Dana Potter, MFA candidate, University of Tennessee Knoxville
Roberta Restaino, Adjunct Instructor Printmaking and Foundations, University of Colorado Boulder
Hannah Smith, artist
Meagan Sterling, Professor, Westmont College
Brad Vetter, Brad Vetter Design
Aaron Wilson, Professor of Printmaking, University of Northern Iowa
Jonathan Wright, MFA candidate, Arizona State University
Sangmi Yoo, Professor of Art, Texas Tech University
University of Dallas, Painting/Printmaking Building (campus map)
1845 E. Northgate Dr, Irving, TX 75062.
Organizer: Dana Potter, MFA candidate, University of Tennessee Knoxville
Postdigital, emerging technologies, and new media, to name a few, are vague terms used as catch-all funnels for print processes which incorporate laser-cutting, 3D printing, CNC routing, etc. The funnel metaphor, however, stanches fluidity between printmaking techniques and incorporated technologies. A re-imagined structure of these methods may be presented as tree roots with equal stems for laser systems as printmaking’s relationship with paper-making or book-arts. Laser technologies specifically build on similar conceptual questions brought up by printmaking: quality of technique, loss of aura in mechanical reproduction, the look and feel of the hand-made, and issues of physical and time-based labor.
Contributing Artists:
Miguel Aragon, artist
Denise Bookwalter, Director Small Craft Advisory Press, Professor, Florida State University
Noah Breuer, Assistant Professor, Auburn University
Tim Dooley, Professor of Printmaking, University of Northern Iowa
Myles Dunigan, artist
Monica Farrar, artist
Andrea Ferrigno, Assistant Professor of Art, Knox College
Andy Holliday, Visiting Assistant Professor, Auburn University
Joseph Lupo, Professor of Art, West Virginia University
Conor McGran, MFA candidate, University of Tennessee Knoxville
Adrienne Miller, Exhibition and Project Coordinator, Speed Museum
Sarah Pike, Director of FreeFall Laser
Dana Potter, MFA candidate, University of Tennessee Knoxville
Roberta Restaino, Adjunct Instructor Printmaking and Foundations, University of Colorado Boulder
Hannah Smith, artist
Meagan Sterling, Professor, Westmont College
Brad Vetter, Brad Vetter Design
Aaron Wilson, Professor of Printmaking, University of Northern Iowa
Jonathan Wright, MFA candidate, Arizona State University
Sangmi Yoo, Professor of Art, Texas Tech University